"from everything a little bit"
June 22nd, 2010

The signs are all there…

I have just started work on another Re-Dock project involving the Leeds-Liverpool canal. Building on the work we did for Canal &, we are using the memories and ideas gathered as a starting point for a signage installation next to the new Pennington Road bridge.

‘Constellation Of Signs’ will be made of over 100 aluminium road and tourist information signs with custom designs based on ideas about the canal. We are running workshops with local groups to help us develop these designs and in doing so explore further how people relate to the canal.

Some of the signs developed in our first workshop this week were warning signs for dirty water and sharks, prohibitive signs for swimming and teachers, and direction signs for ice-cream and the graffiti wall.

It is a really great project to be developing as again it is about the inherent value of ideas and experiences, and their relationship to each other. We are not promising that these things will happen at all, but simply making space for a creative and imaginative ownership of the canal. Ideas in themselves have value. Once someone suggests an idea we can discuss the practical implications of that idea, we can discuss it in relation to community, law, aesthetics, history, possibility, technology. If something can’t happen, then we can ask ‘why not?’ and open up a new area of investigation.

Signs function to shape our understanding of a space. They give us an orientation and also permit levels and modes of engagement with the space. This has a potent impact beyond the immediate message. When I was growing up we used to play footy on a patch of grass near us. One day a window got broken, and the following week a ‘No Ball Games’ sign was put up in what used to be the goal. Aside from the practical obstruction, the space became pretty much unused for play at all, as if sulking after a telling off – it was as if the sign had just said ‘No!’. What if there had been other signs to frame that message and our interpretation of it?

The signs in Constellations Of Signs will act as markers and totems of peoples’ impressions of a place. It will represent their willingness to let their imagination briefly reclaim the canal for the sake of letting the imagination wander. They will be fossilised harbingers of events that may never actually happen, or uncanny indications of things to come. They will mark previous histories and current concerns in relation to irreverence and humour. They will illustrate what people want and what people fear. They will be the evolving dictation of a cross community conversation about what if? and why not? And they will tell you how to get to Bootle Strand Shopping Centre.

You can see more about the project at www.constellationofsigns.wordpress.com

June 6th, 2010

Archiving the Archive

I have just finished a 4 week stint as a ‘film-maker’ in residence at the North West Film Archive as part of AND Festival. I have to develop a 20 minute film for screening with a live soundtrack for September. I spent my time there trying to take in as much of the archive as possible – the films, the people, the operations, the technology. From this I have been developing an idea around ideas of preservation, selection, materials, and collection. You can see my thunks at a special blog I have set up – www.videosmithery.co.uk

June 6th, 2010

Cinema Memory Posters

Last week at Screen Deva I ran a workshop where people could screen print their own Cinema Memory Posters. It was the first time I had run the workshop and with typical optimism I totally underestimated the time each print would take to prepare, but we had a great day nonetheless, producing over 20 different posters with kids and parents. A lot of the memories were related to the films, but some touched on other aspects such as going to the cinema with mum and dad, or it being someone’s birthday.

The poster template worked really well as a place for people to put their memories. They first had to think of an experience they wanted to share, and then boil ot down to just a few words. They would then lay it out in illustrator (with the help of Neringa) which would then be sent to the vinyl cutter. Once weeded, this vinyl provided the stencil for printing. I prepared 150 posters with the blue template the day before, and the kids would screen print their words onto the template. It was nice and hands on and at the end they had a really nice poster that looked great but was also really personal to them.

June 6th, 2010

Getting your hands dirty

More images from the Cinema Memory Poster Workshop.

May 25th, 2010

Ash cloud causes chaos – ‘Volcano’

Here is the video for ‘Volcano‘ by Liverpool mod-rockers The Universal. A thumping rock love song with catchy riffs if I ever heard one. I filmed the band last Friday at Liverpool Sound City and am really pleased with the outcome. More pleased than usual, as this was the second attempt at filming the band.

The first attempt was a month before at FAC251 in Manchester and the sound from the desk was awful. My filming wasn’t great either to be honest. Good sound can often sometimes carry a poor music video, but a great video can do little with poor sound. It bothered me to leave it at that so I was glad to get another crack of the whip. This time the girl on the desk was great and the band sounded  brilliant and I got good audio as a result ( a mix of clean desk and the camera mic). I also knew the songs inside out, which was helpful as I was approaching this as a single-take so could anticipate changes.

Anyway, hope you enjoy the band and the video. It’s fairly energetic. I tend to dance around a lot when I film bands. If I can’t get in the swing, it just aint rock n roll.

May 23rd, 2010

inProcessing / outOfProcessing

Last week I was kindly invited to speak about my work with Isadora at an event in Manchester called ‘inProcessing’, run by Cybersonica (http://inprocessing.cybersonica.org). It was held at MadLab (http://madlab.org.uk) – a volunteer run arts space in the Northern Quarter that provides basic workshop and tech facilities to digital arts activities.
InProcessing is an event to showcase and discuss work primarily developed using the Processing language (http://processing.org) but also other kinds of interactive design. Some of the discussion that night was about how different creative disciplines tend to think (visually, inguistically, spatially etc) and how this affects their approach to programming.
From my own experience as a visual artist, I have enjoyed dabbling with coding in a very limited way (eg Flash actionscript), but it wasn;t until I started using isadora (http://www.troikatronix.com/isadora.html) – a node based programme for creating interactive video tools – that I was able to realise my ideas more fully. This is partly the fact that isadora does some of the work for you, providing self contained modules, but it is also the interface, which is more akin to plumbingumbing logic than text logic. Altogether, it provides me with a low

Last week I was kindly invited to speak about my work with Isadora at an event in Manchester called ‘inProcessing‘, run by Cybersonica (http://inprocessing.cybersonica.org). It was held at MadLab (http://madlab.org.uk) – a volunteer run arts space in the Northern Quarter that provides basic workshop and tech facilities to digital arts activities.

InProcessing is an event to showcase and discuss work primarily developed using the Processing language (http://processing.org) but also other kinds of interactive design. Some of the discussion that night was about how different creative disciplines tend to think (visually, inguistically, spatially etc) and how this affects their approach to programming.

inputOutput

From my own experience as a visual artist, I have enjoyed dabbling with coding in a very limited way (eg Flash actionscript), but it wasn’t until I started using Isadora (http://www.troikatronix.com/isadora.html) – a node based programme for creating interactive video tools – that I was able to realise my ideas more fully. This is partly the fact that isadora does some of the work for you, providing self contained modules, but it is also the interface, which is more akin to plumbing logic than text logic. Altogether, it provides me with a low enough threshold to engage with the programme and develop work.

kaleido

Lewis Sykes of Cybersonica also showed an application developed at MIT to run alongside Processing called Kaleido (http://kaleido.media.mit.edu). Kaleido allows people to create a visual layout alongside their text and use it to navigate through their code. It’s a bit like mind-mapping for coding but I think it is something which again for me might lower that threshold into engaging with Processing.

May 22nd, 2010

Moves Opening Night

Photo documentation of the Moves 10 launch in April where I performed a VJ set alongside sound scientist Tom Rea Smith (Amos) and TV Lux man Tristan Brady-Jacobs. It’s really nice to see how it looked to the audience, especially the Tangram-making section, which I couldn’t see at all due to my wrestling with those darn puzzles. Photos by Garth of safetycatch.net

May 2nd, 2010

WIYRT#06 – Baptism

At the beginning of April I went down to London again to film the next installment of Mercy’s ‘Wave If You’re Really There’ production in St Leonard’s church. This was the 6th in the series and this event took the theme of Baptism. Cue lots of fantastic watery projections on the church ceiling and also some bizarre performances devised by Karen Mcleod. This video has a bit of behind the scenes chat with the artists involved. You can also check out a trailer for the evening here.

April 30th, 2010

Re-modelled – “Lines Of Bees”

Last week I presented a AV set with Tom Rea Smith as for the opening night of MOVES10 at the Bluecoat. Most of my set was created using dynamic patches in Isadora, mixing live camera and video feedback, but for this section I decided instead to plunder an old project, The Model City, for material and give myself a breather in the set. The track ‘Lines of Bees’ is presented simply with the Liverpool One section of the film.

by Sam | Posted in Video | No Comments » | Tags: , , ,





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