"from everything a little bit"
June 6th, 2010

Archiving the Archive

I have just finished a 4 week stint as a ‘film-maker’ in residence at the North West Film Archive as part of AND Festival. I have to develop a 20 minute film for screening with a live soundtrack for September. I spent my time there trying to take in as much of the archive as possible – the films, the people, the operations, the technology. From this I have been developing an idea around ideas of preservation, selection, materials, and collection. You can see my thunks at a special blog I have set up – www.videosmithery.co.uk

May 23rd, 2010

inProcessing / outOfProcessing

Last week I was kindly invited to speak about my work with Isadora at an event in Manchester called ‘inProcessing’, run by Cybersonica (http://inprocessing.cybersonica.org). It was held at MadLab (http://madlab.org.uk) – a volunteer run arts space in the Northern Quarter that provides basic workshop and tech facilities to digital arts activities.
InProcessing is an event to showcase and discuss work primarily developed using the Processing language (http://processing.org) but also other kinds of interactive design. Some of the discussion that night was about how different creative disciplines tend to think (visually, inguistically, spatially etc) and how this affects their approach to programming.
From my own experience as a visual artist, I have enjoyed dabbling with coding in a very limited way (eg Flash actionscript), but it wasn;t until I started using isadora (http://www.troikatronix.com/isadora.html) – a node based programme for creating interactive video tools – that I was able to realise my ideas more fully. This is partly the fact that isadora does some of the work for you, providing self contained modules, but it is also the interface, which is more akin to plumbingumbing logic than text logic. Altogether, it provides me with a low

Last week I was kindly invited to speak about my work with Isadora at an event in Manchester called ‘inProcessing‘, run by Cybersonica (http://inprocessing.cybersonica.org). It was held at MadLab (http://madlab.org.uk) – a volunteer run arts space in the Northern Quarter that provides basic workshop and tech facilities to digital arts activities.

InProcessing is an event to showcase and discuss work primarily developed using the Processing language (http://processing.org) but also other kinds of interactive design. Some of the discussion that night was about how different creative disciplines tend to think (visually, inguistically, spatially etc) and how this affects their approach to programming.

inputOutput

From my own experience as a visual artist, I have enjoyed dabbling with coding in a very limited way (eg Flash actionscript), but it wasn’t until I started using Isadora (http://www.troikatronix.com/isadora.html) – a node based programme for creating interactive video tools – that I was able to realise my ideas more fully. This is partly the fact that isadora does some of the work for you, providing self contained modules, but it is also the interface, which is more akin to plumbing logic than text logic. Altogether, it provides me with a low enough threshold to engage with the programme and develop work.

kaleido

Lewis Sykes of Cybersonica also showed an application developed at MIT to run alongside Processing called Kaleido (http://kaleido.media.mit.edu). Kaleido allows people to create a visual layout alongside their text and use it to navigate through their code. It’s a bit like mind-mapping for coding but I think it is something which again for me might lower that threshold into engaging with Processing.

March 22nd, 2010

Hudds via Barnsley via Arsenal

hudds via barnsley

As I entered my teens, my mum would often say to me “you don’t always need to go to Huddersfield via Barnsley”. She was doing this as a way of warning me about over-thinking things – often to do with girls, but also in relation to work. Whilst I haven’t literally been via Barnsley since taking my girlfriend to see Kubrick’s ‘Eyes Wide Shut’ at the cinema there in 1999, I have repeatedly managed to over-complicate things, whether that be in search of romance, or on the quest for the ultimate (and self conscious) creative endeavour (indulgence).

Even as I’m writing this I’m jumping between paragraphs, adding a bit here, moving something else there. I’ve already written the end, and made notes for the next bit. Whilst that’s not necessarily the same as overcomplicating things, it says something of how the mind likes to jump around when being creative.

I guess what I’m trying to say is that I like to go the long way round because it helps you make the kinds of connections, associations and leaps of imagination that you couldn’t have gotten any other way. There, I’ve said it. We can all go home now. But in fact it’s taken me writing every other paragraph preceding and following this one, before I could boil it down to that.

ceci-n-est-pas-une-pipe

In his book ‘The Element’, Ken Robinson discusses how humans, unlike animals, seem unable to just ‘get on with it’. We have to have ideas about things, and wonder what the meaning of it all is. Everything becomes re-made, re-imagined, re-interpreted. “C’est ne pa une pipe” – Magritte’s work highlights how our fluid our perception and projection of the world is, and ultimately how we love to question it all. The mind can get lost in these ideas and all too easily bend back upon itself. My mother on the other hand is a Yorkshire woman of mining heritage, and though an extremely sensitive, open minded and creative woman herself, knows when to call a spade a spade. “C’est une cosse”.

Maybe it’s my footballing heritage that is to blame. Despite being born and raised in Huddersfield, I and my brothers were raised as Gooners (my dad’s family came from North London). Arsenal Football Club have been transformed under the tenure of Arsene Wenger from “boring, boring Arsenal” to the Barcelona of North London. Their creative style of play – one touch passing around the team – is a joy to watch, except when you’re an Arsenal fan and you would rather see a result than a sexy build up leading to nothing in the final quarter. My friend used to wear a t-shirt with a Nietzsche quote that said “My idea of paradise is a straight line to goal”.  Arsene Wenger clearly has his own philosophy, and Arsenal seem to have a quest for the perfect goal at times rather than the easy goal, but I wouldn’t necessarily want to change them.

I like making connections and having weird ideas on the way to a solution – that is my mind doing its ‘total football’ thing. Finding those dead ends and secret passageways. It is both a skill and an expression of myself, however, applied to all areas of life all the time, then it does cause problems. The imagination is a wild dog and it will drag you where it wants. Sometimes you have to let the dog off the leash.

I know my mum is right about not taking the scenic route all the time, but at the same time it’s just the way I like to do it. Oddly enough, the last time I saw Arsenal play was when they came to Huddersfield for a pre-season friendly last year, and they didn’t travel via Barnsley. Nor did they play as such – they fielded and team of youngsters and won 2-0. They’ll learn.

March 17th, 2010

Toys for Boys

tech desk

I’m currently providing some reactive AV for a project working with kids across two schools in Chester. Every week I set my stuff up and the kids develop a performance with dancers and musicians whilst I provide reactive projections.

This week though I was given an assistant, a little girl called Kirsty. I gave her the job of activating switches an changing colours. I simply gave her the korg nano pad with red green blue and yellow stickers on the pads, and let her change in time with the performers.

It worked well because whilst I had some fancy patches going on in Isadora and lots of great tech all cabled together, the key changes could be controlled via this very simple interface. So, with a little introduction, Kirsty was able to guide us through the show with flying colours.

October 29th, 2009

Unsilent Night – saw player

I’ve never seen a saw player before. It is a beautiful instrument. Many people stopped and watched hypnotised, even the best local buskers.

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September 18th, 2009

Ticket to Ride

Cinema Ticket from ferry

I came into the studio today to find this wonderful little cinema ticket someone left on my desk  (I don’t know who) Its a ticket for a cinema on a ferry, which I would love to experience.

It’s been great developing the Small Cinema project lately as I’ve been getting exciting packages everyday from film-makers. I’ve had to be quite brutal in selecting which films to show, based on people’s memories and ideas, but they are gonna be great screenings.

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June 15th, 2009

Point and Shoot

This is how a videosmith holds a camera. He snarls and points it at you. Photo by Pete Carr.

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June 15th, 2009

Liverpool to Glastonbury

Owain Bentley Liverpool

Both The Huge Entity and The Model City will be going to Glastonbury Festival, along with a selection of shorts from the A Small Cinema project. One of those films is a cracking little animation called simply ‘Liverpool’ by animator Owain Bentley, a recent graduate of Liverpool Art and Design Academy. The programme has been curated by Bren O’Callaghan.














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