"from everything a little bit"
June 22nd, 2010

The signs are all there…

I have just started work on another Re-Dock project involving the Leeds-Liverpool canal. Building on the work we did for Canal &, we are using the memories and ideas gathered as a starting point for a signage installation next to the new Pennington Road bridge.

‘Constellation Of Signs’ will be made of over 100 aluminium road and tourist information signs with custom designs based on ideas about the canal. We are running workshops with local groups to help us develop these designs and in doing so explore further how people relate to the canal.

Some of the signs developed in our first workshop this week were warning signs for dirty water and sharks, prohibitive signs for swimming and teachers, and direction signs for ice-cream and the graffiti wall.

It is a really great project to be developing as again it is about the inherent value of ideas and experiences, and their relationship to each other. We are not promising that these things will happen at all, but simply making space for a creative and imaginative ownership of the canal. Ideas in themselves have value. Once someone suggests an idea we can discuss the practical implications of that idea, we can discuss it in relation to community, law, aesthetics, history, possibility, technology. If something can’t happen, then we can ask ‘why not?’ and open up a new area of investigation.

Signs function to shape our understanding of a space. They give us an orientation and also permit levels and modes of engagement with the space. This has a potent impact beyond the immediate message. When I was growing up we used to play footy on a patch of grass near us. One day a window got broken, and the following week a ‘No Ball Games’ sign was put up in what used to be the goal. Aside from the practical obstruction, the space became pretty much unused for play at all, as if sulking after a telling off – it was as if the sign had just said ‘No!’. What if there had been other signs to frame that message and our interpretation of it?

The signs in Constellations Of Signs will act as markers and totems of peoples’ impressions of a place. It will represent their willingness to let their imagination briefly reclaim the canal for the sake of letting the imagination wander. They will be fossilised harbingers of events that may never actually happen, or uncanny indications of things to come. They will mark previous histories and current concerns in relation to irreverence and humour. They will illustrate what people want and what people fear. They will be the evolving dictation of a cross community conversation about what if? and why not? And they will tell you how to get to Bootle Strand Shopping Centre.

You can see more about the project at www.constellationofsigns.wordpress.com

June 6th, 2010

Archiving the Archive

I have just finished a 4 week stint as a ‘film-maker’ in residence at the North West Film Archive as part of AND Festival. I have to develop a 20 minute film for screening with a live soundtrack for September. I spent my time there trying to take in as much of the archive as possible – the films, the people, the operations, the technology. From this I have been developing an idea around ideas of preservation, selection, materials, and collection. You can see my thunks at a special blog I have set up – www.videosmithery.co.uk

June 6th, 2010

Cinema Memory Posters

Last week at Screen Deva I ran a workshop where people could screen print their own Cinema Memory Posters. It was the first time I had run the workshop and with typical optimism I totally underestimated the time each print would take to prepare, but we had a great day nonetheless, producing over 20 different posters with kids and parents. A lot of the memories were related to the films, but some touched on other aspects such as going to the cinema with mum and dad, or it being someone’s birthday.

The poster template worked really well as a place for people to put their memories. They first had to think of an experience they wanted to share, and then boil ot down to just a few words. They would then lay it out in illustrator (with the help of Neringa) which would then be sent to the vinyl cutter. Once weeded, this vinyl provided the stencil for printing. I prepared 150 posters with the blue template the day before, and the kids would screen print their words onto the template. It was nice and hands on and at the end they had a really nice poster that looked great but was also really personal to them.

June 6th, 2010

Getting your hands dirty

More images from the Cinema Memory Poster Workshop.














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