"from everything a little bit"
June 22nd, 2010

The signs are all there…

I have just started work on another Re-Dock project involving the Leeds-Liverpool canal. Building on the work we did for Canal &, we are using the memories and ideas gathered as a starting point for a signage installation next to the new Pennington Road bridge.

‘Constellation Of Signs’ will be made of over 100 aluminium road and tourist information signs with custom designs based on ideas about the canal. We are running workshops with local groups to help us develop these designs and in doing so explore further how people relate to the canal.

Some of the signs developed in our first workshop this week were warning signs for dirty water and sharks, prohibitive signs for swimming and teachers, and direction signs for ice-cream and the graffiti wall.

It is a really great project to be developing as again it is about the inherent value of ideas and experiences, and their relationship to each other. We are not promising that these things will happen at all, but simply making space for a creative and imaginative ownership of the canal. Ideas in themselves have value. Once someone suggests an idea we can discuss the practical implications of that idea, we can discuss it in relation to community, law, aesthetics, history, possibility, technology. If something can’t happen, then we can ask ‘why not?’ and open up a new area of investigation.

Signs function to shape our understanding of a space. They give us an orientation and also permit levels and modes of engagement with the space. This has a potent impact beyond the immediate message. When I was growing up we used to play footy on a patch of grass near us. One day a window got broken, and the following week a ‘No Ball Games’ sign was put up in what used to be the goal. Aside from the practical obstruction, the space became pretty much unused for play at all, as if sulking after a telling off – it was as if the sign had just said ‘No!’. What if there had been other signs to frame that message and our interpretation of it?

The signs in Constellations Of Signs will act as markers and totems of peoples’ impressions of a place. It will represent their willingness to let their imagination briefly reclaim the canal for the sake of letting the imagination wander. They will be fossilised harbingers of events that may never actually happen, or uncanny indications of things to come. They will mark previous histories and current concerns in relation to irreverence and humour. They will illustrate what people want and what people fear. They will be the evolving dictation of a cross community conversation about what if? and why not? And they will tell you how to get to Bootle Strand Shopping Centre.

You can see more about the project at www.constellationofsigns.wordpress.com

June 6th, 2010

Cinema Memory Posters

Last week at Screen Deva I ran a workshop where people could screen print their own Cinema Memory Posters. It was the first time I had run the workshop and with typical optimism I totally underestimated the time each print would take to prepare, but we had a great day nonetheless, producing over 20 different posters with kids and parents. A lot of the memories were related to the films, but some touched on other aspects such as going to the cinema with mum and dad, or it being someone’s birthday.

The poster template worked really well as a place for people to put their memories. They first had to think of an experience they wanted to share, and then boil ot down to just a few words. They would then lay it out in illustrator (with the help of Neringa) which would then be sent to the vinyl cutter. Once weeded, this vinyl provided the stencil for printing. I prepared 150 posters with the blue template the day before, and the kids would screen print their words onto the template. It was nice and hands on and at the end they had a really nice poster that looked great but was also really personal to them.

June 6th, 2010

Getting your hands dirty

More images from the Cinema Memory Poster Workshop.

March 17th, 2010

Toys for Boys

tech desk

I’m currently providing some reactive AV for a project working with kids across two schools in Chester. Every week I set my stuff up and the kids develop a performance with dancers and musicians whilst I provide reactive projections.

This week though I was given an assistant, a little girl called Kirsty. I gave her the job of activating switches an changing colours. I simply gave her the korg nano pad with red green blue and yellow stickers on the pads, and let her change in time with the performers.

It worked well because whilst I had some fancy patches going on in Isadora and lots of great tech all cabled together, the key changes could be controlled via this very simple interface. So, with a little introduction, Kirsty was able to guide us through the show with flying colours.

July 22nd, 2009

From Rotunda With Love

After 3 workshops with young people from Rotunda college and the ‘young’ people from the Lee Jones Centre, Re-Dock are proud to announce: A Small Cinema at the League of Welldoers!

“From Rotunda With Love” will feature several short films by local film-makers on a variety of issues, chosen by the young people for the League of Welldoers. Expect traditional cinema experiences such as local adverts, classic trailers, and people throwing orange peel.

Monday 3rd August
Box office opens 12:30pm
Presentation Starts 1:30pm

A Small Cinema - From Rotunda With Love

A Small Cinema - From Rotunda With Love

price – 1p or a jamjar

July 10th, 2009

Where Do You Go?

As part of the Make Your Own Liverpool project for NML back in May, me and John asked young people to begin adding places to the model of Liverpool. What emerged was a cityscape abundant in McDonalds restaurants and Primarks, but no Liver Building.

June 18th, 2009

Playtime with Isadora

This week I made a presentation at a conference about the use of Technology in Childrens Dance Theatre, held at FACT in Liverpool. I talked about my role as a digital designer for a childrens dance show called ‘A Different Tune‘, which is currently touring the North West, as well as giving people an insight into Isadora, a very nifty peice of software for digital design.

Isadora playtime - 50 in one

I based the presentation on three oppositions:

1. input / output
2. Values / value
3. media / idea

The first aim was to communicate how Isadora can be used to take any number of inputs (sound, movement, colour, position, midi….) and apply that to an output (size, volume, position, speed, etc ). For this I had people cheering to make the screen brighter, waving their arms to make a movie go faster and turning two volunteers into a human mixing desk by having raise and lower coloured paper infront of a camera.

Isadora Playtime - wave isadora play - chroma

This then raised the question of ‘Whats the point?’. And of course there isn’t any, unless you have an idea to communicate.

isadora playtime

 

Finally I asked three people to design an imaginary creature (like in my ‘Creatures in Motion‘  workshop). They then developed a biology and history for those creatures. And finally they created the sound of that creature. As they growled, chirped and mewed, the images of the creatures grew, but this time we had all invested a lot in their stories and ideas and so were  more deeply engaged by this relatively simple input / output.

Isadora playtime - creatures

I never generally like using technology for its own sake and find myself often having to argue for the absense of it in shows. An audience needs to engage with ideas, not technology.

A Small Cinema - idea

by Sam | Posted in Workshops | No Comments » | Tags: , , , ,
December 28th, 2008

Creatures In Motion


Back in November I ran a workshop at FACT with artist Wibke Hott, exploring the invention of new creatures. Families dropped by and created drawings, stories, recorded histories, and explored the sounds and movements these new creatures might make. Here I’ve included the strange creature noises and movements that were developed with the images onscreen responding to their sounds and actions.

August 30th, 2007

The Liverpool Giant

Document of the making of Liverpool’s own Giant, aptly named Jude. Jude was created by arts company Strange Cargo.














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