On Saturday I took part in an event at Tate Liverpool, run by the boys from Mercy. The day was simply called ‘The Making’, and together with several illustrators and graphic artists, a band and a poet, that is just what we did. We created a space, developed a rough ethos of overlapping and feedback, and spent the day simply making stuff in that space in front of the public. For my part I worked with film-maker Stuart Lancely to created a multi-camera / multi-projector feedback machine I called ‘The Videodrome’, which was intended to give a sense of things being interconnected and constantly representing each other.
The idea for the Videodrome came from initially being asked to ‘film’ the event, and from my unease that people seem to constantly need a record of a performance rather than just let it happen. If it is not recorded at all, did it ever actually take place? I feel in someways the recording of the performance becomes more important than the thing itself. Videodrome attempted to project the event back upon itself, making the act of recording part of the performance. This video shows a performance of ‘The Bell’ by Nathan Jones and Wave Machines. I decided not to record any performance or take any pictures of the day, but simply work with live feed, though inevitably it was photographed and filmed by others. I include Tim Brunsden‘s excellent video here in order to prove that an event did happen.