This is the first proper manifestation of an idea that’s been rattling around me head for 4/5 years, and that I began to prototype recently at Digital Media Labs in Barrow.
Video Culture 1.1 presents recordings of several experiments using live systems to ‘grow’ video feedback. Using a combination of lasers and colour tracking systems, the artist has cultivated 3 independent but competing strands of analogue video feedback, allowing them to evolve before our eyes. These feedback experiments have been modelled on the geometry of the facade of the Art Academy of Latvia, with the final recordings projected back on to the building itself.
The second of the show I’m currently working as video designer for is Through His Teeth at the Royal Opera House in London. Again the story is loosely based on Faust – read about ‘The Crackle’ here, and both shows use designer Becs Andrews’s amazing forced perspective set.
Through His Teeth is directed by Bijan Shebani and tells the story of a woman who falls in love with a conman, and is drawn into his fantasy world of secret service operatives and high living. As a cost she loses her money, her family and her mind, becoming increasingly paranoid that their every move is being watched by secret agents. Remarkably it is based on a true story.
For the show I have decided to use live cctv cameras rigged around the set, to create a constant feeling of being watched. I switch between the 8 separate feeds, whilst also mixing in some pre-prepared location footage (shot as if on cctv) and replaying moments captured onstage from previous scenes. This is done using a number of tools, including cctv camera sna cabling, a video multiplexer and a switcher, two digitisers and Isadora, The result is a very raw video collage of real live action, replayed memory and locative ‘other’ spaces that provide a really interesting background texture to the performers and the story.