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isadora

01 Mar

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Knitting RGB Disco at Whitworth – 5th March

March 1, 2015 | By | No Comments

6pm – 8pm, Thursday 5th March, Whitworth Art g/allery, Manchester

I will be showing a new machine knitting installation as part of Thursday lates. Come along and help me programme lights and sound using the punchcard mechanism.

more info here

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14 Nov

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Video Culture 1.1 @ Staro Riga Festival of Light 14 – 18 Nov

November 14, 2014 | By | No Comments

vid culture install testVideo Culture 1.1 installation at Staro Riga Festival of Light. A projection-mapped video installation developed using generative feedback systems, lasers and isadora and masks modelled on the Art Academy Lativa.

This is the first proper manifestation of an idea that’s been rattling around me head for 4/5 years, and that I began to prototype recently at Digital Media Labs in Barrow.

Video Culture 1.1 presents recordings of several experiments using live systems to ‘grow’ video feedback. Using a combination of lasers and colour tracking systems, the artist has cultivated 3 independent but competing strands of analogue video feedback, allowing them to evolve before our eyes. These feedback experiments have been modelled on the geometry of the facade of the Art Academy of Latvia, with the final recordings projected back on to the building itself.

08 Apr

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Through His Teeth – rehearsal images

April 8, 2014 | By | No Comments

The second of the show I’m currently working as video designer for is Through His Teeth at the Royal Opera House in London. Again the story is loosely based on Faust – read about  ‘The Crackle’ here, and both shows use designer Becs Andrews’s amazing forced perspective set.

Through His Teeth is directed by Bijan Shebani and tells the story of a woman who falls in love with a conman, and is drawn into his fantasy world of secret service operatives and high living. As a cost she loses her money, her family and her mind, becoming increasingly paranoid that their every move is being watched by secret agents. Remarkably it is based on a true story.

For the show I have decided to use live cctv cameras rigged around the set, to create a constant feeling of being watched. I switch between the 8 separate feeds, whilst also mixing in some pre-prepared location footage (shot as if on cctv) and replaying moments captured onstage from previous scenes. This is done using a number of tools, including cctv camera sna cabling, a video multiplexer and a switcher, two digitisers and Isadora, The result is a very raw video collage of real live action, replayed memory and locative ‘other’ spaces that provide a really interesting background texture to the performers and the story.

read a review here

below are some images from the rehearsal process.

see the full set on Flickr

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08 Apr

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The Crackle – rehearsal images

April 8, 2014 | By | No Comments


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